What strikes me is the fact that in our society, art has become something which is related only to objects and not to individuals, to life. That art is something which is specialized or which is done by experts who are artists. But couldn’t everyone’s life become a work of art? Why should the lamp or the house be an art object, but not our life?
–Michel Foucault, “On the Genealogy of Ethics,” an interview
The documentary Soul of A People: Writing America’s Story (2009), tells the story of the Federal Writer’s Project, commissioned during the Great Depression of the 1930s, to collect the experiences of everyday Americans, through the form of guidebooks to cities and states, among other genres.
This project brought together well-known, and soon-to-be-well-known writers and artists, including Ralph Ellison, Studs Terkel, Richard Wright, Dorothea Lange and Zora Neale Hurston to document their cities and hometowns and to create guidebooks like this, one of my favorite of all time:
I’ve been thinking a lot about guide books and travel writing, normally at the bottom of the literary heap, considered low-brow, and nowhere near scholarly; throwaway fare, worthy only of that most terrible of pests: ‘the tourist.’ And yet:
“One thing is needful.—To ‘give style’ to one’s character—a great and rare art! It is practiced by those who survey all the strengths and weaknesses of their nature and then fit them into an artistic plan until every one of them appears as art and reason and even weaknesses delight the eye. Here alarge mass of second nature has been added, there a piece of original nature has been removed:—both times through long practice and daily work at it. Here the ugly that could not be removed is concealed, there it has been reinterpreted and made sublime…
–Friedrich Nietzsche, The Gay Science, Aphorism #290