foolish journeys documentation

close up cut-ups

Yesterday’s performance of Foolish Journeys went very well. First, participants came in and signed the book, and then they were given pamphlets (made from a single letter-sized sheet folded in half twice), which contained the Foolish Journeys orientation text.

sign-in

(dis)orientation pamphlet

Then they were given a reading, using my deck of cards, laid out on a tablecloth made of cut up pieces of the official MTA New York City subway maps. The tablecloth was pieced together to create an impossible geography of New York,with some segments of the city repeated, mirrored and distorted, as in a dream.

cut up map pieces

map table cloth

reading

reading in progress

After the reading, participants were asked to choose the card they would most like to focus upon and encounter in their lives. Once this card was chosen, I scattered small folded pieces of the subway map on the table. Participants were then asked to choose a folded piece and open it. The area depicted in this map could become a site of pilgrimage or further research for the participant–the basis of a personal creative exploration, allowing participants to experience their familiar city as somewhat more strange and unpredictable. Most participants immediately experienced an uncanny or synchronous recognition of the parts of the city depicted on the map.

folded map pieces

end of the night

foolish journeys

This evening, April 21, as part of Urban Undercurrents at the New School, I am presenting “Foolish Journeys,” a participatory performance, in which I will read tarot cards for inquiring hearts.

Foolish Journeys begins from Jacques Derrida’s distinction between the future and l’avenir: “the future is… predictable, programmed, scheduled, forseeable. But there is a future, l’avenir (to come) which refers to someone who comes whose arrival is totally unexpected…totally unpredictable. The Other…”

The tarot is also called “The Fool’s Journey,” in which a seeker sets out in blissful ignorance, to meet the Other and reach the World. The tarot is a guide to encountering l’avenir.

If l’avenir is the meeting with the Other, the unknown, the unpredictable future, then we might lock eyes with this unforeseeable future, this Other, every day in chance encounters with strangers on the city’s streets.

Using the tarot as city guide, Foolish Journeys asks: how might I best prepare myself to meet l’avenir–to meet the city yet to come?

the danger is really there

Interviewer: Do you ever examine yourself to say, ‘why are you so fearless, compared to other people?’

AW: [laughing] I am so fearful! That’s not fearless. I am more fearful than other people, maybe. That’s why I act more brave: because I know the danger is really there. If you don’t act, the danger becomes stronger. 

fairytale

In 2007, for his invited exhibition at the art fair, Documenta 12 in Kassel, Germany, Chinese artist, Ai Weiwei did a strange thing. He put out a call on his blog (which was shut down in 2009 by Chinese authorities) asking for 1001 Chinese people to accompany him to the art fair in Kassel.

When I was invited by Documenta, I didn’t want to do a conventional work like painting or sculpture, but rather do a work which directly relates to the real lives of ordinary people… Then the idea came to bring 1,001 Chinese people to view the exhibition as audience, and create a work of itself. The basic concept behind the work is to create a condition which encourages self experience and extends people’s participation of art.

–Ai Weiwei  (source)

Ai Weiwei ended up with a whole bunch of regular working people, from cities, from small towns and villages, whom he picked from web applications, off the street, through community groups and through friends and acquaintances. His main criteria was that the candidates be unlikely to have the opportunity to take this kind of trip under normal conditions. The people were put up for a week in a refurbished former factory building in Kassel. Ai worked with filmmakers like Li Pengfei to document the trip. The resulting film is, according to Ai, “a truly realistic documentary about the current spiritual conditions of various Chinese people.”

What impresses me most about this work is the humor at the heart of the challenge to national and global politics which make travel and movement for leisure and pleasure a privilege only those with certain passports and economic means can enjoy. There is heartbreaking beauty in the immensity of taking (and finding, flying, housing, feeding, filming) 1001 people on vacation. The work cost about $4.1 million to produce. The size of that figure is dwarfed by the absurdity of our global systems, which make movement a matter of life or death for many, rendering it almost impossible for most people on earth to say, attend a world art fair in Germany. Is “Fairytale” art?

Fairytale is a work which relates to social, political and cultural aspects… I don’t even care whether it is an art work. –AW

FREE AI WEIWEI!

the living room is open

The Living Room(s), a “non-space for exhibitions, performance and discursive events in Amsterdam West,” is an exciting new venture of my friends, musicians Anat Spiegel and Thomas Mymel, along with curator, Yael Messer and writer, Gilad Reich. According to their website,  The Livingroom(s)

is not a modular space- adapting to host a variety of activities; but a variety of activities adapting to the diverse spaces offered to us by sympathetic property owners, shop owners, squatters, buurtcentrums, and artists: like-minded people with a burning desire to see the cohesion of the neighborhood grow. Together we can critically examine our surroundings, create new relationships with our neighbors, and revel in the knowledge of each others perspective.

If you are in Amsterdam Saturday, April 23, check out their kickoff event!

terrible karma documentation

Here are some images of Terrible Karma, the project I did in collaboration with geographer and curator Merle Patchett, on March 25, 2011, as part of the citywide commemoration of the 100th anniversary of the Triangle Shirtwaist factory fire, the deadliest industrial disaster in New York history.  All photos were taken by Merle Patchett. For more images of the event, visit her site.

shhh! geographer at work

Last week, my friend Tom Croll-Knight, sent out this recording, which was played on the BBC. Tom is a researcher, sound artist, producer and DJ, currently living in Paris and working on the doctorate in Human Geography at The University of Sheffield, UK.

This particular recording includes his field recordings of various locations in Paris, along with his own commentary, in rhyme no less!

Listen up:


Now this is urban research we can all get down with!