(from a paper, given with Barbara Adams, at the Royal Academy of British Architects, London, July 2009)
I remember the first Michael Jackson music video I ever saw; in my grandparents’ living room in Lagos, during the evening hour when state television showed the latest in American, British and Caribbean black pop music.

The glowing halo of curly black hair, the even skin, shy white smile. The fragile teen-aged body. Tuxedo jacket open, with a large, loosely-tied bowtie, sleeves pushed up to the elbows, one hand finger-snapping, one hand in pocket. White socks, black loafers.

Falling suddenly, into a marbled sky, and to me, an avid marble collector, and fan of blowing soap bubbles, this seemed like a dream—I want to be there! I want to be where he is. He splits into 3 loosely synchronized selves in this music video, each one imploring me, in stereo, not to stop til I get enough rocking, snapping, spinning, freezing.

Here, I should tell you what this is not about:
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The city of our imaginations was London. In Lagos of the 1980′s “London,” was a magic sound, its very utterance conveyed unattainable sophistication, hipness, style, escape. London stole my father for a few years of study. London bathed the in-crowd at school with the “been-to” glow. A wash of light followed even those who’s cousins-fathers-sister-friend-daughters-boyfriends were rumored to have visited that fabled city.

Like many schoolchildren, I knew the London of Dickens, of the Queen; the London of black taxis and Big Ben. So when this Terence Trent D’Arby video slid into heavy rotation on state television, I was unprepared for this other, intensely romantic London, of warehouses and dive bars, of motorcycles, dandies and miscegenation. This is when London became a real place, a tangible desire of mine.

Of course, this desire mainained intensity for a brief season, and I spent my adolescence in that unlikely emerald city, Seattle, and later New York. With each new city, London’s call grew fainter. I doubt I will ever live there. But thanks to the internet, I’ll always have Terence.

ekocycle

A childhood friend of mine, Tade, made this beautiful slideshow of images taken on one of his visits to Lagos.

eko_bridge

I grew up in Lagos, Nigeria during the oil boom of the 1970′s and 80′s. Fashion reflected the city’s exuberant modernism and futurism. There were great hairstyles, which all the fancy ladies wore. The city was changing and growing fast. New structures seemed to be going up everyday. The new hairstles were intended to simulate the forms of the urban structures they were named after. Like the hairstyle pictured above was called “Eko Bridge,” after the new bridges built to link the city’s islands. There were also styles like the skyscraper, the stadium, etc.

As you can probably tell, hair for Lagosians, and many other Africans, is a big deal. Look here for more about the significance of hair and the head in West Africa.

I think hair done like this could be a way of archiving the city, don’t you?