ARCHIVING THE CITY

for the city yet to come

Posts tagged “Moscow

sociological party marathon action

Posted on August 29, 2012

During the winter and spring of 2011-12 residents of Moscow and Saint Petersburg went into the streets en masse for the first time in 20 years, demanding change in the regime of political and social inequality associated with the great imbalances of wealth in their country. As a response to the massive movements in the streets and on the Internet, the Russian government, in the form of the security forces and the parliament, began a brutal crackdown on all dissent. New laws criminalizing almost any public gathering as unauthorized political rallies and increasing the fines for participation in such gatherings 150-fold, along with parliamentary proposals to monitor and shut down internet service providers delivering ‘offensive’ content, are all intended to freeze movement and quell political unrest. However, there are unintended results of such inequitable uses of power: instead of freezing any specific movement, the entire field of action is activated. In such a tense, electrified field, one small action can precipitate lighting strikes in response.

It was into this newly electrified field that I arrived in October 2011, invited to Moscow and Saint Petersburg to collaborate with architects, sociologists, and activists committed to DIY methods for reclaiming urban development at the grassroots level. In Russia, as I soon discovered, discussion of urban development, architectural preservation and ‘community building’ are often the aesthetic surrogates for more dangerous political arguments. Wealth and political inequality are more than ever expressed in the ability to control these discussions. In fact, in a turn eerily reminiscent of life during the Soviet era, inequality in Russian cities is often evidenced by the (in)ability to simply go out of one’s home and gather together with fellow citizens.

In collaboration with a group of Moscow-based “urban hacktivists,” Partizaning.org, I developed a concept for working with the new momentum for grassroots-level change in both cities. Operating on the principle that change begins in small movements, with simple communion between strangers, I asked: Could people, barred from meeting outside, claim as public the intimate space of the home? Working in urban districts in which residents feared the loss of their homes to new regimes of luxury real estate development, I organized Sociological Party Marathons. Strangers from different parts of the city met at a predetermined point. Bringing food and drink, these strangers asked to enter the homes of local residents, to sit, have a party, and learn intimate aspects of their relationship with the area. What emerged among participants in these gatherings and subsequent workshops was a new understanding of how people perceive inequality between neighbors. The form of the party-marathon suggested both the fun and freedom of the carnival and the structured exhaustion and euphoria of an athletic race through a city. The concept demanded a great deal of trust between strangers, and courage to make public the most restricted spaces in Russian cities. As one participant who balked at the prospect of ringing a stranger’s doorbell remarked: “this boundary is the most important in a Russian’s life.”

city of islands within islands 2

Posted on August 13, 2012

Moscow may be a land-locked city, but it is flooded with waterways, which have played an important historical role. For example, the waterways acted as natural barriers against siege, and isolated some sections of the city from others. Traditionally, as the city expanded, new settlements sprung up along waterways. Today waterways are not often used in most residents’ everyday lives, yet they continue to mark the city’s psychic boundaries.

As part of the project, “City of Islands within Islands,” I decided to draw a map of Mosocw’s secret waterways as a kind of layered treasure map. The goal was to draw out some of the city’s psychic boundaries.

Drawing became an important part of my research process in Moscow, and not only because I was working with architects, who draw quite a bit. In his recent book concerning drawings he made in his fieldwork notebooks, anthropologist Michael Taussig discusses what drawing might mean for the researcher:

To draw is to apply pen to paper. But to draw is also to pull on some thread, pulling it out of its knotted tangle of skein, and we also speak of drawing water from a well… Drawing is thus a depicting, a hauling, an unravelling, and being impelled toward something or somebody.

The map is created in two layers and techniques. The top layer is a pencil drawing on tracing paper, and the second layer is a collage, made from appropriated comic books. The collage-comic is drawn as a conversation between an anthropologist and an artist. The work describes my art/research process, and the challenge of entering into a completely foreign city. How to find the secret language of a city in which one is stranger?

For me, the process of drawing became necessary to address the issue that social scientists often keep hidden, even from themselves, namely: the sneaking suspicion that ‘objects’ as complex, and all-consuming as ‘the city’ can never be actually ‘known,’ fully captured, apprehended or comprehended–especially not by our relatively weak methods.  As Taussig goes on to suggest:

The drawings come across as fragments that are suggestive of a world that does not have to be explicitly recorded and is in fact all the more “complete” because it cannot be completed.

 

 

city of islands within islands 1

Posted on August 13, 2012


The winter of 2011-2012 marked a tense and exciting period in Moscow. For the first time since 1991, people entered the streets en masse to demand change in their government. During this period, I went for walks in the streets of the city with its residents. “City of Islands within Islands,” a ‘samizdat’ (Soviet-era ‘do-it-yourself’ pamphlet for the clandestine distribution of prohibited texts) , contains written ‘images’ which act as a record of those walks. Each English language text contains its Russian mirror.

The samizdat was produced in a series of 15 folders like the one pictured above.  Each folder contains 28 sheets of paper. English text is printed in black on white paper and Russian text is printed in black on translucent tracing paper. All English to Russian translations were done by Valentina Moskaleva.

You can read samples of these texts here and here.

 

krizis

Posted on August 12, 2012

Lunch in the mezzanine gallery of a bar long past its prime, free to rest in its memories of the wild nineteen nighties: Ruben’s hand elegantly holding a cigarette, his upturned chin pointing away from the table to exhale, as he speaks to us out of the side of his mouth. He tells the story of a scar on his leg, a mark of an attack only narrowly survived. At fifteen this architect’s son is beaten and stabbed on a walk with a friend through his own neighborhood by two men: one recently released from prison and the other, a veteran of the Chechen war. The men do not rob the boys, and only this small indentation in his leg remains. It is hard…

welcome to moscow

Posted on August 9, 2012

The mid-day ride from the airport is long, Moscow’s infamous traffic jams trapping us in a spiral crawl towards the center. The small taxi carries me and Carlos, Dan, our enthusiastic local guide, the portly driver, almost toothless, looking a decade older than his likely middle age and as much luggage as our flight from New York would allow. As we slide into the side streets of the city center leading to our new home, our car confronts a larger, sleeker black vehicle, approaching from the opposite direction. There is some confusion about who has the right of way in the narrow street. The cars cannot pass each other, and yet the larger car continues to approach, rain trickling down its tinted windshield. Our…

into the creamy center

Posted on December 25, 2011

Here I am in Moscow’s Bar Strelka, being interviewed about my impressions of my first 3 months in Moscow.

I like Moscow, if by like I really mean I’m scared of Moscow. Moscow is really scary to me, but that’s also exciting. It reminds me of New York in a really odd way, like when New York was a little bit scarier. When it was harder to tell what’s around the corner. Everything in Moscow is inaccessible to me, because I don’t speak Russian and I’m foreign. I feel there are these layers of the city that I can’t reach, it’s like a mystery. But around this hard crusty outside of Moscow, I really feel that there’s a soft creamy center. And I’m going to find it.

material concepts

Posted on November 13, 2011

Alma Siedhoff-Buscher, Bauhaus Building Block Set, circa 1923 Every art is material—and can be only material. The possibility of using concepts, projects, ideas and political messages in art was opened by the philosophers of the “linguistic turn” precisely because they asserted the material character of thinking itself. Thinking was understood by these philosophers as the operation and manipulation of language. And language was understood by them as thoroughly material—a combination of sounds and visual signs. Now the real, epoch-making achievement of conceptual art becomes clear: it demonstrated the equivalence, or at least a parallelism, between language and image, between the order of words and the order of things, the grammar of language and the grammar of visual space. –Boris Groys, “Introduction–Global Conceptualism Revisited,” e-flux journal…

new feature: facebook field notes

Posted on November 13, 2011

Dear readers, today is the premiere of a new feature here on Archiving the City: facebook field notes. For many years, I avoided the draw of facebook, but when I joined the Strelka Institute, I was asked by program organizers to join facebook, in order to make participation and communication with colleagues easier. In recent weeks, I have found myself involved in extended conversations about my Moscow life with friends from around the world. It now occurs to me that these conversations are in fact an extension of my “Shop Talk” series (cross-disciplinary conversations about method), and so I have decided to post some excerpts of chats and emails here, as “field notes.” (Of course, these excepts appear in edited form, in order to…

aeroport

Posted on October 24, 2011

After three weeks of organized field trips and official lectures, some of us Strelkans* decide to take a detour off the tourist path. On the last Sunday in October we take the green metro line into northwest Moscow, and get out at the Aeroport stop. After a half-hour walk, across an 18-lane boulevard, through a massive sports complex, across a large open field filled with friendly stray dogs, over a section of crackled tarmac, which has been converted into a makeshift amateur stunt driving course, and through a hole cut into a chain-and-barbed-wire fence, we arrive at a graveyard of Soviet aeronautical ambition.

In a field of tall grass, lie the remains of dream jets. Children play among the ruins of an empire, climbing onto wings and into cockpits with the help of their parents. Single enthusiasts roam with their cameras, taking pictures of the grounded giants. Teenagers dare each other to climb the rickety watchtower, which sways even with light breeze. Carlos and I walk together, taking pictures and video. We are dazzled by these magnifications of childhood toys. We close in on the same details: a flattened landing tire, wire innards spilling out of a plane’s ripped side panel, graffiti honoring a local football team and the defunct CCCP in the same breath, the cigarette wrappers and beer bottles tucked into the planes’ open holds, the oil-slick rainbow discolorations of the cockpit windows.

After a week of discussing public spaces in the city, this is the first truly public space we have found: this hinterland between a newly built financial center, and an endless sea of residential high-rises. Here are children and parents and grandparents, and tourists, and lone weirdos, and neighborhood residents. Here are multiple uses. Here is play. Here is evidence of another life at night, after the children go home. Most importantly, it is free, in all senses, and an absolute joy to discover.

*Strelkan (n., v.): 1. One who participates in Strelka Institute’s 9 month research program. 2. Describing an approach to urban research and design, as yet to be defined.

**all photos by Carlos Medellin

  

Follow

Get every new post delivered to your Inbox.

Join 62 other followers