This is “NOW” (1965) a short film by Cuban filmmaker Santiago Alvarez. The song in the film is called NOW, and is sung by civil rights activist, Lena Horne, (who also performs in the video clip below, with another civil rights activist, Kermit the Frog). A classic archive of the civil rights struggle in the cities of the United States of America.

What I find interesting about the film, is how it is composed almost entirely of still images, mostly photos that one might find in the newspapers of the period. Simple materials, but the rhythmic editing, matched to the intensity of the music, produces a remarkably moving effect. Alvarez was a master of using found materials. As he once said: “Give me two photographs, a moviola and some music and I’ll make you a film.”

Now, Now, Now, Now, Now, Now, NOW IS THE TIME. THE TIME IS…NOW!

Martin Luther King Day, New York City, 2010

In dreams, affects take shape and form and color. affects are drawn into resonance, the seemingly disparate in waking life are crashed or woven together into intricate, shocking, garish, intimate realness.

A key character in dreams, or narratives of dreams, is the setting itself. In my dreams, interior and exteriors blend, neighborhoods in different cities open up to each other, like the impossible geographies of Kafka’s stories.

(film credit: “N.Y., N.Y.” Francis Thompson, dir. 1959)

Yesterday the New York Times published an Iraq war veteran’s dreams and reflections. Here are some important excerpts:

What if it’s not a dream at all? What if I really have the city of Mosul inside of me? Or at least that neighborhood on a sunny morning. Maybe when I go to sleep I’m actually entering a world in which Iraqi mothers search through the landscape of my memory in the vain hope of finding their dead sons. My body a sort of graveyard, a repository of the lost and the dead.

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